Topic / Subject
Gorillaz released a new album called The Mountain, with Pitchfork reporting that it uses archive recordings to include posthumous contributions from late collaborators.

TL;DR
Pitchfork says The Mountain includes posthumous recordings pulled from the Gorillaz archive, and reviews and interviews frame the project as shaped by grief and loss.

Key Details

• Gorillaz released a new album titled The Mountain.
• Pitchfork reports the album includes posthumous recordings pulled from the Gorillaz archive of late collaborators.
• Pitchfork lists posthumous appearances connected to names including Dennis Hopper, D12’s Proof, Tony Allen, Bobby Womack, and The Fall’s Mark E. Smith.
• Rolling Stone discussed vault material and grief themes, and The Guardian’s review also notes the album’s loss-tinged framing.

Breakdown
This is a “vault opens” album, but it is not just nostalgia. The hook is how it uses archived recordings to bring late collaborators into new songs, which gives the project a tribute-like tone even if the intent varies by outlet.

Pitchfork’s credits detail is the most concrete part, because it ties specific names to the record’s posthumous presence. That is the piece fans will debate, who is on what, and how the archive was used.

The emotional framing is also consistent. Rolling Stone talks about grief and the vault, and The Guardian review highlights the sense of collaboration across time. That puts The Mountain in the lane of albums that feel like a roll call of relationships, not just features.

What to Watch Next

• Any official band commentary on how the archive recordings were chosen and cleared.
• Fan and critic reactions to how the posthumous material is integrated.
• Whether the full credits spark deeper discussion about specific sessions and eras.

Sources
Pitchfork — Gorillaz Release New Album The Mountain: Listen and Read the Full Credits
Rolling Stone — Gorillaz interview about vaults, grief, and posthumous contributors
The Guardian — The Mountain album review

Comment
Do posthumous archive features feel like a tribute to you, or does it depend on how clearly the artist explains the intent?